Saturday, August 30, 2008

Los Angeles Coliseum


This is the sight of the Olympic Games in 1932 and 1984. Built in 1923 for under one million dollars, it is now the primary home of the USC Trojan football team.

Friday, August 29, 2008

City Works


I met a city worker here in the shadow of Pasadena City Hall. She was very friendly and had a good sense of humor.

I've painted city hall numerous times.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in purchasing it.

Thursday, August 28, 2008

Secrets


This is Old Town Pasadena. Pasadena was one of the first cities in Southern California that recognized a potential gold mine in its deteriorating and abandoned architecture. About thirty five years ago, it began to revitalize this area of town. Now, it's one of the more popular weekend hangouts for the younger crowd.

Many other communities have since turned their eyesores into eye candy.

Two siblings (a brother and sister) from South America stopped to watch and chat early one Saturday morning while I painted here.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in purchasing it.

Wednesday, August 27, 2008

Sycamore Park

I thought I'd find a nice, quiet place to paint, so I stopped at this park in the city of Highland Park.

Things were quiet until a broken down lady with a scraggly little dog in tow came over and with little more than an introduction, offered to have sex with me behind the building.

I wasn't about to go along with it. I figure if any man would be dumb enough to follow her to her secret place, he'd probably be greeted by a big ugly man who'd club the sucker over the head and take all his money.

Instead, I told the woman that the man she needed was Jesus, then finished my painting.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in purchasing it.

Tuesday, August 26, 2008

I completed this painting in record-breaking time. This is a familiar sight to anyone who frequently travels Sunset Blvd. in Hollywood. It's the Cross Roads travel agency and a group of other small business.

The reason this painting happened so fast (in about 30 minutes) is that the wind was blowing extremely hard and it was very cold.

It was so cold that no one even slowed down to talk or to just see what I was doing. One would never think that Southern California could get so cold without snowing.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in purchasing it.

Monday, August 25, 2008

Fruit Cart Vendors

It was the day before the Los Angeles marathon. The streets were bustling in the garment district. Fruit cart vendors pushed their cargo around selling colorful eats.

Things happened so fast that I hardly could take it all in. A vendor and his family near me were suddenly surrounded by a group of men and women as several other men in drug their cart away. I looked around and saw the same thing happening to other vendors.

A big dump truck with lights flashing screeched to a halt and men began tossing the carts and the contents in the dumpster bin. Quicker than I could get a fresh sheet of watercolor paper out of my kit and paint the scene, the party was over.

The plain clothes officers had cleaned the streets for the high profile race, the vendors were whisked off to jail and the shoppers went on about their business while I returned to my painting.

New vendors and new carts would be back in about three days and I would be on another street corner wondering what might happen this time.

This 9"x12" original watercolor painting is for sale for $250 unframed. Contact me if you are interested in purchasing it.

Note: Saturday, I forgot to put a link on a site I was referring to until later in the morning. If you noticed the omission, oops. The link is now active.

Saturday, August 23, 2008

Disney Animation Studio

These are the old animation buildings at Disney Studios. I painted this in ink and watercolor from one of the park benches during my lunch time.

About a week later, I returned to the same spot with my iPhone loaded with painting software and did the same scene. Since I had to draw and paint with my finger, I was only able to complete the sketch while on the lot. I finished the painting at home. You can find the iPhone version, which shows an animation of the creation process here.

Friday, August 22, 2008

Back Alley Boys

I did this painting, again during my lunch time, with the sound of a 'Back Street Boys' (remember them?) playing in the background. They were in an alley behind me shooting a music video. I was working on a film in a nearby building in the east end of downtown Los Angeles.

This painting is part of my 'Hollywood Backlots' series, which began in 1977. I'm looking for a home for the paintings where the hundreds of paintings and drawings in the series will not be broken up and will be available to the public. Possibly a museum. If you know of anyone interested, please let me know. We'll work something out.

Thursday, August 21, 2008

Ports-O-Call


This is Ports-O-Call, where a row of shops bordering a shipping lane sell everything from crafts to clothing to helicopter rides. It has fallen in disrepair in recent years, but used to be a very popular tourists trap in San Pedro, CA.

My friend and I have painted here several times.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in purchasing it.

Wednesday, August 20, 2008

All Ages


I like to read the carved-in-stone inscriptions found at many historic libraries. I did this quick sketch at the Los Angeles Central Library. The library was badly burned some years ago and was closed for repairs. Inside, you can take an escalator up about three or four stories. The view at the top overlooks a cavernous foyer below with gigantic modern architecture suspended over it.

The inscription reads: In the world of affairs we live in our own age. In books, we live in all ages.

Have you read any wise sayings recently?

Tuesday, August 19, 2008

Bus Stop

This is a busy corner on the corner of Vermont Avenue and Manchester in South Central Los Angeles.

Pitching your easel near a bus stop is a good place to meet people. You usually have only a few minutes to spend with them, but those minutes could be a life changing experience.

I make sure I'm not blocking traffic, so I set up on the side of the bench where the bus approaches and a safe distance behind the bench. I discovered that if I set up on that side, people could keep an eye open for their bus and visit with me at the same time.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in it.

Monday, August 18, 2008

Paint Me


This group of teenagers in a Brazilian quilombo (place of refuge) saw me painting and asked if I would paint their portraits; individually. I knew I wouldn't have time to do that, so I told them I would paint them as a group. As I was getting started, I learned that one of the girl's mother didn't want her hanging around the foreigner. 

However, the teens wouldn't let me go without painting them, so I did this quick painting in about 5 minutes while looking over my shoulder to see if Mama was coming.

I thought the youngsters would get mad at me when they saw this faceless painting, but they really liked it. Wow.

Saturday, August 16, 2008

Finger Painting


I love to be in the company of books, so I visit libraries and bookstores often. One of my favorite libraries is the Altadena Library, which happens to be close to my home.

I did this painting on my iPhone while in the library. I’m starting to get used to drawing with my finger. I takes me way back to my childhood when I reveled in finger painting. Nevertheless, I've ordered a stylus to see if it would bring a little more accuracy to the process.

The software I used is NetSketch. It is an outstanding app, but as you would expect for a version 1 application on a mobile phone, not as feature rich as my version 9 PhotoShop on my computer. So, I opened the NetSketch version in PhotoShop and did a some blurring and desaturation there. You can see the original artwork and the creation process of this painting at here.

As a plein air artist, you should not be afraid of experimenting with new techniques and technologies. Do you have experience in creating computer-based art?

Friday, August 15, 2008

A Tree to Die For


This is another sight on the land where my wife grew up in Hermatige, Arkansas.

I'm not sure why I named the painting, 'A Tree to Die For'. Maybe it was because my father-in-law and I used to go into the woods and chop trees before he passed away.

Thursday, August 14, 2008

Reunion


I enjoy painting in public places where I meet some very interesting people. But if I'm not painting, I like to be alone with my immediate family in a quiet place.

This is Hermatige, Arkansas where my wife, Peggie grew up. The house in the background was to be hers, but I stole her away from the woods when we got married (soon will be 30 years) and moved her to Los Angeles.

This home is similar to a 'shotgun house', though technically is not one. A shotgun house has rooms joined one-behind-the-other with no hallway. This one has no hallways, but has rooms side by side as well as behind each other.

Wednesday, August 13, 2008

Singer in a Showercap


Every now and again in your street painting, you will meet someone who will so entertain or inform you that you will be richer from meeting them.

I was painting on Hollywood Blvd. one day when a man stopped to watch me paint. He told me how much he liked my artwork, then asked if I would give him some money. He had such distinct physical characteristics; a long, soft face with tiny teeth set behind lips painted the color of grapes. He wore a pink shower cap. He had the personality of a silent era movie star. I told him I would give him five dollars if he would let me paint his portrait. He suddenly lost his air of dignity and was shocked, even embarrassed that I would want to paint him. He made excuses for his appearance, but I imagine that his need for the money outweighed his hesitation to pose for me.

I could tell he was uncomfortable, so I began to chat with him. He told how he had been cheated out of a role on a popular television show. He also said he used to perform musicals on Broadway. He offered to sing me a song. I told him I would love to hear him. He opened his mouth and began to sing a jazzy show tune. His voice was strong enough that he was probably heard from several blocks away, yet was crystal clear. I was speechless, but painted quickly.

When he ended the song, he said abruptly that he had to leave. I thanked him and gave him the five dollars. He looked my painting and said with the bravado of a celebrity that the painting didn’t capture him. I humbly think that I captured the real him in the 10 or 15 minutes we had together, and not the him he imagined himself to be.

On another occasion, I had the opportunity to paint the portrait of an Elvis impersonator in his upholstery shop. More on that another time.

Tuesday, August 12, 2008

Central Sax


Some of the most interesting you will ever meet are street people. Those would include hustlers, homeless and the down and out. Some people I term homeless are technically not homeless. They sometimes live in a homeless shelter, halfway houses or with friends. They often move around during their waking hours and return to their temporary residence in the evening. I often look for ways to help them.

Street hustlers rarely earn enough money to own their own home, so they depend on the generosity of others to put bread on their tables. If I determine someone is trying to hustle me for my money, I will not give them the time of day.

In your travels in urban plein air painting, you are also bound to encounter the insane. They can be very unpredictable and therefore must be dealt with very cautiously. Their behavior can go from gentle to threatening at the blink of an eye. Since I am not a psychologist, I do my best to dismiss them and send them on their way without giving them anything. Be kind but curt.

Then there are people who are so entertaining and engaging that you really want to pay them to stick around while paint.

Tomorrow, I’ll tell you about a man on the street who made my day when he stopped to ask me for money.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in it.

Monday, August 11, 2008

Some Slackers, Some Lackers


Something you’ll have to contend with if you are going to paint on the streets in a metropolitan area are the homeless and beggars. Most of the ones I have given money to were very polite. Some whom I talked to at length were very intelligent. Most of them were spiritual.

If you choose to help them, you must use wisdom so that you avoid embarrassment to them, or even worse, harm to yourself. When someone approaches me with their hand out, I try to determine if they are merely hustlers who wouldn’t lift a finger to work if you gave them a high paying job or people in a tight spot who deserve a helping hand. Many of the later are kind, gentle people who couldn’t keep up with society.

Having encountered many street people who have asked me for money, I’ve learned some techniques to that have helped to keep my painting experience positive.

Join me tomorrow and I’ll pass along some things I’ve learned. If you have some tips for dealing with people on the streets as you paint, please share it.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in it.

Saturday, August 9, 2008

Expo Rose


I returned to the Rose Garden, but this time to work alone (see yesterday's post).

I had a good time talking to a group of children there on a field trip. Most of them said they liked to paint, and a few offered, even insisted to help "Sorry kids, today I work alone."

I usually don't paint in oils if I am on a busy sidewalk, but this serene setting was a perfect place to work in oils.

Which medium do you prefer use in plein air? Why?


This 9"x12" original oil painting is for sale for $450 unframed. Contact me if you are interested in it.

Friday, August 8, 2008

Natural History Workshop

This painting was done as a demo at one of my workshops in the Rose Garden at the Natural History Museum in Los Angeles.

I discontinued the workshop several years ago, but have had requests to get it going again. I decided to record it and put it on line. This way, people will be able to take part from any location in the world. It will begin September 1, 2008. You can hear the audio podcast introduction today and get more information at keni.com

However, there may be some who live in the Los Angeles area and would like to participate in a face-to-face workshop. If that's you, please let me know. I'll get in touch with you and see what we can work out.

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in it.

Thursday, August 7, 2008

Swap Meet

I like to paint where there are people. The Rose Bowl swap meet is one of the largest gatherings of hawkers and bargan hunters in Southern California.

This setting presents a good opportunity to sharpen ones skills at painting in the midst of chaos.

Have you painted in similar situations?

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in it.

Wednesday, August 6, 2008

Amphitheater

This rustic setting is the home of summer jazz concerts sponsored by the Altadena Sheriff's department.

I painted it from the amphitheater stage late one quiet afternoon. What time of day do you usually paint?

This 9"x12" original watercolor painting is for sale for $350 unframed. Contact me if you are interested in it.

Tuesday, August 5, 2008

Rusty


I've said it before and I'll probably say it a thousand or more times; your job may have some of the richest environments for painting material. Sometimes it may be the people you work with, or the building you work in or on.

This is a back lot set at Paramount Studios. I don't remember what show I was working on when I did this lunchtime painting, but I was so taken by the rusty building that I had to paint it. Even though the actual building looks like rusting metal, it is simply set painting techniques applied over wood to resemble metal.

Monday, August 4, 2008

Paramount iP


When I purchased my iPhone, one of the first things I looked for was an app with which I could create artwork. I found a nice little program called 'NetSketch', written by a young college student by the name of Ben Gotow.

This painting is part of my 'Hollywood Backlots' series. The series began in 1977 when I started doing pencil sketches of interesting things I saw as I moved around the stages, backlots and locations in the movie industry. The pencil sketches changed to pen & ink, then to ink and watercolors. Paramount iP is my first series painting created on an iPhone using my index finger as an input device/paintbrush.

You can see an animation of the actual creation of the artwork by visiting NetSketch. More 'Hollywood Backlots' paintings can be seen by clicking on 'Gallery' at keni.com.

The sketch was done on the lot during my lunch time. The painting was completed at my home.

Thanks to Ben and the Apple folks for a unique painting experience.

I'd like to get your thoughts on this new art medium.

Saturday, August 2, 2008

Juiz de Fora

I might have to stretch to call this a plein air painting. I was in the modern Brazilian city of Juiz de Fora. This was the view outside my hotel room window, which I painted under the watchful eye of my roommate.

Only recently did I start taking a camera with me when I travel. I had previously used only my paintings to record my steps. Finally, I realized that there was so much more I wanted to paint than what I could do on the run.

When I returned to Brazil several years later, I did as many paintings as I could, but those I couldn't get to, I caught with the camera. I haven't done any paintings from the photos yet, but some day I might.

Friday, August 1, 2008

BBQ King


This is one of the best bar-b-que joints in Los Angeles. I found this place when I was working on the film, 'Catch Me If You Can'. It was being filmed nearby at the Twin Towers Jail. The jail was fairly new at the time and did not yet have any prisoners in it.

A father and his young son watched me as I did this painting. The dad asked if I taught art classes. At the time, I was still doing my plein air workshops, so I gave him information about it. They never made it to the workshop, but I'm hoping that today his wide-eyed son is somewhere outdoors painting.